VideoAny AI
All-in-one AI image-to-image assistant
Upload a reference and describe what should change. VideoAny reads that file plus your notes and returns a new still to review. Choose an available model, an aspect ratio, and a resolution when the selected model supports it. Inspect fidelity; source details can be reinterpreted.



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Which decisions in an image to image session keep the source useful?
You still choose model, aspect ratio, and resolution when the model supports it. Those choices sit beside the reference and the keep-and-change notes. The logos below match the current image-model list in this workbench.
01
Match the model to the kind of rewrite you need
A photographic source often wants a model that stays in a photographic family. A sketch often wants a model that can hold line and wash. Switching models can change how much of the reference survives, and it can change the displayed credit cost. Read both before you generate.
02
Keep the aspect ratio honest to the source or the destination
If you need the same crop as the upload, match that ratio so the generator is not forced to invent edges. If the destination is a story frame or a banner, say so and accept that the source will be reframed. A mismatch can stretch a product or invent extra furniture.
03
Treat resolution as a review choice, not a fidelity guarantee
When the selected model offers resolution, pick the size you need to inspect seams, type, and edges. A larger still makes errors easier to see; it does not lock the source pixel for pixel. Recheck the displayed credit cost after you change this option.
What can change when you run an image to image pass from a reference?
A source file gives the generator something to hold onto. You still decide what must remain, what may move, and how far the new still can drift. The pictures below are illustrative sources, not before-and-after proof of the notes beside them.

01
Choose a reference that already holds the structure
Pick a still where the subject, camera height, and main masses are already right. A sharp product pack, a room photo with a clear vanishing point, or a line drawing with readable shapes all work better than a busy collage. If the source is wrong in structure, recrop or reshoot it first.
Keep the living room layout, sofa, plants, and camera height from the uploaded photo. Change only the lighting: cooler overcast window light, slightly deeper shadows under the coffee table, same furniture, no extra windows or chairs.Edit an uploaded photo

02
State what must stay and what is allowed to change
Write two short lists. Keep: silhouette, logo placement, furniture layout, or pose. Change: season, materials, colorway, or finish. Mixing those into one mood sentence hides why a result drifted. After each run, check the keep list first. If a keep item moved, try a simpler change list.
From the uploaded sneaker photo, retain the last, sole shape, stitching, and three-quarter angle. Request a colorway change only: deep burgundy upper, off-white midsole, no extra logos, same catalog crop.Edit an uploaded photo

03
Restyle or adapt a draft without starting from a blank page
Use this path for a product shot that needs a new backdrop, a room that needs a different season, or an illustration that needs a new finish. You are asking for a neighboring still, not inventing the subject from a paragraph. Compare every output to the file you uploaded.
Keep the dropper bottle, cap, scale, and front-facing crop from the upload. Do not invent extra label lettering. Move the set onto cool slate with a window wash from the left and a quieter floral accent.Edit an uploaded photo
When does an image to image rewrite help more than starting over?
Use a reference when the object, space, or drawing already exists and you need a neighboring version. Select a scenario to see the kind of source this path is for.
What source types are useful for an image to image rewrite?
These frames are inspiration from VideoAny's own model-page libraries. Treat them as examples of sources you might upload, not as proven before-and-after case studies.
Illustrative references. Not verified VideoAny input/output pairs.

Reference-guided pack
A pack that already shows label placement is a better source than a mood collage. Crop to the product before you ask for a new surface or season.
Illustrative source for a label-aware packaging rewrite.

Lookbook frame
A full-length outfit still can take a new venue if you keep pose, garment, and crop in the keep list. Broad restyle language is how extra accessories appear.
Illustrative lookbook source for a venue or lighting change.

Colorway board
A clean product on a plain field is easier to recolor than a lifestyle crop with busy reflections. Hold shape and stitching; change only the palette.
Illustrative board for colorway tests from one source shoe.
How do you write keep-and-change notes for image to image?
Name objects you can count. One environmental or finish change is enough for a retry. There is no mask or strength slider on this page; notes, model, and crop do the steering.
01
Crop the source to the job before you upload
Desks, browsers, and extra products will be interpreted. A cleaner source is the cheapest control you have. If you are adapting a pack shot, keep the label readable in the crop you send.
02
Keep the keep list shorter than the change list is tempting to write
A long change paragraph is how extra windows, bottles, and accessories appear. Write the keep list in objects. Write the change list as one fact. If the first result drifts, shorten the change list rather than narrating the entire scene.
03
Inspect the source and the result together
Walk silhouette, object count, lettering, and camera height. A handsome restyle that invents a second bottle has failed the keep list. Decide in advance which errors you will accept before you spend another run.
Creator workflow notes
Working habits for a referenced rewrite, not user reviews
These notes describe common ways to run a keep-and-change pass. They are not user reviews, ratings, or promises about a specific result.
Lighting rewrite
Interior workflow
Keep furniture count and camera height. Change only the window light. If a new chair appears, the change list was too broad.
Colorway rewrite
Product workflow
Keep last, stitching, and angle. Change only the upper color. Inspect the sole and any label area against the upload.
Finish rewrite
Illustration workflow
Keep pose and staging lines. Name the new medium in one clause. Check hands, eyes, and lettering before you accept the plate.
What should you review after an image to image result comes back?
Cover the file you upload, how far the still may drift, and how access and cost show in the workbench. Inspect the source and the result together.
What to upload and what to write beside it
The input is a reference plus notes. A single clear still beats a montage. Write keep-and-change in plain language. Do not expect a mask, a region brush, or a numeric strength control; those are not how this page is set up. Fix a blurry source before you generate.
What kind of file works as a reference?
+−
Use one still where the subject is large and readable. Product photos, room photographs, and line drawings work better than collages or tiny thumbnails.
Do I have to describe the whole picture again?
+−
No. Name what must remain and what should change. If the first result drifts, shorten the change list rather than narrating the entire scene.
How to judge whether the result is close enough
Open the source and the new still side by side. Check silhouette, count of key objects, and any lettering. A handsome restyle that invents a second bottle or a new window has failed the keep list. Decide in advance which errors you will accept.
Why did the new still invent objects that were not in the photo?
+−
Broad change language or a ratio that does not match the source can invite extra objects. Narrow the change list, match the crop, and try again.
Can I lock one region and freely restyle the rest?
+−
This workflow does not provide precise edit masks or strength sliders. You steer with notes, model, ratio, and resolution. Use a dedicated editor for a local retouch.
Credits, limits, and sensible next steps
The model and resolution on supporting models affect the credit cost shown before you generate. Limits vary with that selection. Review the line every time you change an option. After a still that holds the source, you can move it into motion.
Is the cost the same as generating without a reference?
+−
Not necessarily. The workbench shows the cost for the model and options selected on this path. Read that value rather than reusing a number from another tool.
What if I need a new idea that the reference should not constrain?
+−
Write a text-to-image brief instead. A source file will keep pulling the still toward the upload. For motion from the rewrite, continue in image-to-video.
How do you load a reference and request an image to image variation?
Work in this order: file, notes, selections, then inspection. These steps match the upload area, prompt field, and toolbar on this page. The picture is an illustrative board, not a screenshot of the live form.
Step 1: Upload one clear reference and crop it to the job
Open the workbench and add a single still. Crop out desks, browsers, and extra products that you do not want interpreted. Confirm the subject fills the frame. If you are adapting a pack shot, keep the label readable. A cleaner source is the cheapest control you have.
Step 2: Write keep-and-change notes, then set model, ratio, and resolution
Type the keep list first and the change list second. Select an available model that matches the source family. Match aspect ratio to the upload unless the destination truly differs. Read the displayed credit cost and any limit for that combination, then generate.
Step 3: Inspect fidelity, then adjust only the clause that failed
Place the result next to the upload. Walk silhouette, object count, lettering, and camera height. If the finish is wrong but the structure held, change only the medium clause. If structure broke, simplify the change list or recrop the source.

What brief, budget, and quality checks should you finish before another image to image run?
Write the keep list, cap the retries, and define how close is close enough. Then load the reference and generate with those constraints in view.
Freeze the brief as keep-and-change, not as a mood
Write the keep list in objects you can count. Write the change list in one environmental or finish fact. If either list is a pile of adjectives, edit it before you upload. Put both lists next to the source file. Every later note should still point at those lines.
Cap the budget for retries on this file
Decide how many attempts this reference is worth before you recrop, reshoot, or redraw. Read the displayed credit cost for the model, ratio, and resolution you selected. When the retry budget is gone, accept the closest keep-list match or fix the source.
Set the fidelity bar you will inspect against
State whether a mood match is enough, whether labels must stay readable, or whether object count must match the source. That bar tells you when to stop and when to leave for a retoucher. Open the workbench after those three decisions are written.

VideoAny AI
Edit an uploaded photo
Write the keep list, cap the retries, and define how close is close enough. Then load the reference and generate with those constraints in view.